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“Creation rather than imitation.” Jack Goodstein Reviews Pat Hall’s Time Remembered
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Fronting a quartet featuring the Hammond B-3 organ of Greg “Organ Monk” Lewis, the guitar of Marvin Sewell and Mike Campenni on drums, trombonist Pat Hall runs through a set of seven tunes on this release—four, including an epic reading of his “Waltz for Debby” are Evans originals. One is by his bassist bandmate Scott LaFaro (“Gloria’s Step”), one Evans favorite (“Elsa”) is from longtime collaborator Earl Zindars, and there’s a Rodgers and Hart classic, “Spring Is Here.”
If nothing else, Hall’s chutzpah in creating a tribute to one of the truly great jazz pianists with a piano-less ensemble deserves credit for originality. Instead of taking the conventional route, flattering by imitation—certainly not the most creative of approaches—he honors a great jazz artist as a jazz artist should by using his work as a foundation to build something new. Creation rather than imitation. Let’s face it, if all you’re going to do is copy, why bother? We can better listen to the original.
From the very first tune “Gloria’s Step” through “Elsa” and “Time Remembered” to the album’s closer “Peri’s Scope,” this is an album that both showcases Hall’s virtuosity on the trombone and the vitality of Evans as a continuing inspiration for creative expression.
Time Remembered: The Music of Bill Evans was released in August.
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